What should we call me tumblr

Tumblr is a popular microblogging platform founded in It lets you post multimedia content such as music, videos, photos and GIFs, create your own blog or community absolutely free, and communicate with other users. As of September, , Tumblr hosts over ,6 million blogs. That figure is really impressive. Most of these blogs are personal and are created to share funny and interesting content. Here is our roundup of top 15 laughable Tumblr blogs. Omg-humour is dedicated to funny memes , rage comics and demotivational posters.

This blog posts funny GIFs of animals in various bizarre situations. Here you will find dozens of awkward dogs, cunning cats, crazy horses, etc. You may hang on this blog really for hours. So carefully plan your time! You may save all these photos and make a slideshow with them like ones compilated here.

SRS Funny has thousands of images almost for every occasion. A great deal of funny pictures and photos are collected on this amazing comic blog. About What Should We Call Me snowclone : What Should We Call X is a single topic blog which pairs everyday occurrences with an animated reaction GIF conveying a fitting reaction or a feeling projected by the poster in each given situation. Spread On March 12th, the creators began a Twitter account [4] for their Tumblr posts, which has gained more than 34, followers as of May Top entries this week.

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View More Comments. The self-social relationship offered by the authentic self-brand dovetails with what scholars identify as a postfeminist media landscape in the West Gill; McRobbie; Negra. Notably, postfeminism relies on the idea of a deep, inhering individuality to justify the injunction to marketise oneself Gill.

Drawing on this body of work, I suggest that authentic individuality, performed through imperviousness to social influence, is the way in which these contradictions of the postfeminist self-brand are justified.

Authenticity in these forms of digital production might be argued to signify more about desires for legitimate or authentic belonging within digital publics as insiders, rather than proving a fundamental individuality. Tumblr is a relatively under-researched but rapidly growing blogging social network, documented at the end of as the social platform with the most growth in user numbers Lunden.

Tumblr is known as a promising hub of burgeoning visual youth cultures Third and Hart , possibly due to its norms of anonymity and significant pop culture content of posts. Images are a dominant form of communication on the site, and most content on Tumblr is public.

These structures set up Tumblr as an ideal site for the production of memes as part of its remix culture, whilst still adhering to certain connective features of other social networks. To provide some context, the founder WSWCM blog boasted 50, new Tumblr followers in the month following its creation in , with independent traffic reports logging the number of page views as one to two million per day Casserly.

Each post on the founder WSWCM is on average liked and reblogged by hundreds of other Tumblr users, but its significance, which I consider here, lies in the way that it has been taken up in a prolific variety of follower meme blogs.

The follower memes I consider here adapt the GIF-reaction format which is used to narrate everyday experiences of youthful femininity. GIFs are moving photo files excerpting about three seconds of movement from popular culture ranging from film, television and YouTube videos. The imitation of the follower blogs is strategic: a deliberate, slight differentiation, which operates to set them apart, but still locates them within a youthful feminine public. The emergence of the WSWCM follower blogs is a dynamic one which, I suggest, has catalysed the founder to intensify its claims to legitimacy through authentic originality even as its funny and creative followers throw its uniqueness into question.

In this way, we see how certain social relationships become recognisable as authentic. The founder bloggers state in their FAQ s:. We are two best friends who met in college and now live on opposite coasts of the United States.

We used to send each other funny. We thought we were just posting inside jokes, but are thrilled that other people find them as funny as we do. We never really intended for anyone else to see it. Whilst now, with potentially hundreds of thousands of followers, it is difficult to maintain that the blog is maintained solely as a means of keeping in contact, this long distance girlfriendship can be drawn on to establish the authenticity and social capital for the blog.

I suggest that this best girlfriendship should be understood as a permutation of the authentic self-brand, practised to achieve a form of authentic individuality. However, in early the bloggers changed to a different header to distinguish their site. I suggest this can be understood as a response to establish originality and authenticity through a best friendship brand, in opposition to the other meme blogs, which had also adopted the founder theme. The WSWCM header features cartoonish depictions of the two bloggers, one in New York with the silhouette of skyscrapers behind her, and one on a beach with an open laptop, the blog visible on her screen.

This header clearly alludes to the fact that the bloggers are separated, in different places, but links them by depicting them as virtually identical. Further, whilst girlfriends are often positioned as differing , their differences are often positioned as complementary, to strengthen a united co-brand Winch. I am not suggesting here that the best friendship of the bloggers is artificial or purely commercial, but rather, that this production of digital best friendship coincides with strategies to achieve authentic individuality recognisable in postfeminist digital cultures.

The best friend is thus crucial to the performance of authenticity in the original blog. It is important to note, however, that these practices exceed postfeminist self-branding in certain ways.

Given that WSWCM has indeed inspired follower memes keyed in a self-representative register, this suggests possibilities of broader connection and a sense of intimacy through recognisability of shared femininity.

From one form of insider practice—the WSWCM best girlfriendship—to another, other Tumblr bloggers through follower meme texts have also signalled their insider status, as young women able to narrate forms of feminine experience held out as representative and legitimate. Authentic individuality is decentred; rather, the follower blogs appear to foreground the importance of authentic belonging. For example, in the blog WhatShouldBetchesCallMe , the blogging subject still narrates quotidian feminine trials and tribulations, but is much more knowingly confident and sassy; in WhatShouldWeCollegeMe , the blog focuses more on the experience of being at university than the founder meme.

Shifman foregrounds the process of repackaging and imitation in the adaptation of memes; I suggest that what also must be considered in this meme set is connective differentiation, which repositions this repackaging as simultaneously a form of distancing and connection. Arguably, what the memes opt into—through being recognised as derivative—is a form of recognition in an intimate feminine public.

Thus, the follower memes adhere to these rules of recognisability in order to be seen.